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Arthur Elgort - the man who changed the laws of the genre in photography
Arthur Elgort - the man who changed the laws of the genre in photography
Anonim

He is called the representative of the new aesthetics of negligence, and the famous shot of E. Taylor became a real sensation in the world of photography. Behind the seeming ease of publicly understood shots lies a long preparation and careful planning.

Biography

Arthur Elgort, who stopped beautiful moments, was born in 1940. His parents, immigrants from Jewish families, emigrated from Eastern Europe. The boy studied drawing for a long time, but soon he realized that the camera lens conveys much more emotions and life than painting.

arthur elgort
arthur elgort

Pictures of pro-natural Elgort were seen in the editorial office of the famous fashion magazine Vogue and offered a collaboration that continues to this day. The creative director of the publication said that the work of the photographer opened a new era of expressive works on which modern American women live.

Realprofessional

Passionate about work, Arthur Elgort loves shooting fashion, admitting that it's a whole ritual. The master, who has worked with all popular fashion magazines, travels a lot, discovering new countries. Realizing that photo shoots in exotic places are very expensive, the editors of publications do not want to take risks and choose Arthur as a true professional in his field, who has never had a failed photo.

Revolutionary Shot

The photo that revolutionized the beauty of Taylor. She held her tousled hair with one hand and held the steering wheel with the other. No one could believe that this was a real staged photo, and not a shot from a hidden camera, the feelings of the depicted actress were so natural.

But few people knew that half a day passed before Arthur Elgort got a mesmerizing shot, and it was not the wind that was responsible for the careless hairstyle, but the stylist hiding on the floor of the car with a hairdryer in his hand.

Changing the laws of the genre

Previously, models did not go out, but were filmed only in special studios, and the resigned heroines appeared in the frame, obeying the will of the photographer. Strictly and even primly looking, the models bore little resemblance to ordinary girls, and the staged shots clearly separated the magazine-reading housewives from the alien and glamorous world of fashion.

biography arthur elgort
biography arthur elgort

On the artsy photographs, models looked directly into the lens, and not a single detail violated the traditions that had developed over the years. And Elgort's shot proved that viewers can be a part of it. FilmedThe master actress, immersed in her thoughts, does not pay any attention to the camera, and the frame is riddled with slight understatement, and therefore one wants to turn to it again. American photographer Arthur Elgort brought forbidden freedom by changing the laws of the genre.

Job is a dream

The Vogue fashion editor, who traveled almost the whole world with a recognized genius, enthusiastically talks about adventures far from home. He remembers with delight a camel in Morocco, caves with Eskimos, Masai tribes, Indian elephants, Moscow artists with whom he had to work.

Arthur Elgort shows his professionalism everywhere, demonstrating that even in the most outlandish places, the model's clothes remain in the spotlight. Penetrating into the most remote corners of our planet for the best pictures, he enjoys his work, which he calls a dream.

The naturalness of staged photos

In the photographs of the brilliant master, the viewer sees lively and sensual, sleepy and absent-minded, impudent and playful women, in whom there is not a single gram of falsehood or pretense. All staged shots look absolutely natural, and their models are pretty for the author, so charismatic beauties live in each photo, taken as if spontaneously.

American photographer Arthur Elgort
American photographer Arthur Elgort

Many works are devoted to the symbol of heroin chic - the young top model Kate Moss, who looks like an ordinary girl in the frame. There is nothing pretentious and scandalous in the photographs, on the contrary, Arthur Elgort masterfully emphasizes her natural charm.

Recognized profession althroughout his life, he proves that his photographs are real art, which from the very first seconds captures the viewer, enjoying the established contact between the heroines and the author.

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